Does your prayer life need new life? Does your faith need a fix? Does your belief in the miraculous need some motivation? Then the film “Breakthrough” is for you. It’s especially for you. I believe in miracles, and this film just wrecked me. “Breakthrough” gave me reason to hope all over again. It’s a hard hitting, warm and fuzzy, cerebral yet practical primer on why we all should believe in God.
“Breakthrough” is the ultlimate upset win. It’s a classic comeback, and a total turnaround. John Smith, a 14 -year old star basketball player, is a typical teen. He doesn’t listen to his mom, he doesn’t do his homework, and he doesn’t think he’s living on thin ice. But he is. And yet God gives him a new lease on life with a second chance to make a difference.
In “Breaktkhorugh” it took the faith of a mother and the prayers of the saints to bring John back from the dead. It has intertwined layers of ethos and multiple levels of pathos, all mixed in to a solid, yet sordid story about life and love and how to live a victorious Christian life. Take it from me and do yourself a favor; read this blog and then go out and watch this film. It’s that good. It will do wonders for your soul.
Here’s the New York Times film review by Bilge Ebiri:
“In January 2015, 14-year-old John Smith fell through the frozen surface of a lake in St. Charles, Mo., and remained submerged for 15 minutes. He had no pulse when emergency workers pulled him from the freezing water, or for nearly 45 minutes after; it was reportedly only after audible prayers by his mother, Joyce, that his heart finally started up again. And over the next several days, as his community vigorously prayed for him, the young man made a full, seemingly impossible recovery.
Roxann Dawson’s faith-based film, “Breakthrough,” tells the story of John’s miraculous ordeal with an unassuming simplicity, focusing on the harrowing details of the case without an overreliance on proselytization. Though faith is ever-present — particularly through the devotion of Joyce (Chrissy Metz) and the town’s struggling young pastor (Topher Grace), who remain with John (Marcel Ruiz) every step of the way — the film also wisely dedicates plenty of screen time to the emergency workers and doctors struggling to bring the boy back to life. Here, religion is not in contention with medicine, but seems to work in tandem with it.
The filmmaking may at times be direct and inelegant, but “Breakthrough” isn’t without nuance. Dawson (a TV veteran directing her first feature film) doesn’t sidestep the thorny issue of selective miracles — after returning to school, John wrestles with the fact that he was spared from death while many others aren’t. “Breakthrough” is more suggestive than evangelical, and its willingness to let the mystery of the young man’s survival linger enhances the film’s power. You don’t have to believe in divine intervention to be moved by this story.”